Network and Route Building

  • Review: Clans of Caledonia

    19th-century Scotland. The country undergoes a transition from a predominantly agricultural economy to an industrialized one, heavily dependent on trade and export. As a result, food production increased to support the growing population, cheap cotton imports replaced flax, and livestock farming expanded. When European wine and brandy production was devastated by an insect blight in the late 19th century, Scotch whisky emerged as a substitute for cognac. The whisky industry came alive, establishing itself as the premium alcoholic beverage of choice across Europe. Players represent historic clans competing to produce, trade, and export their agricultural goods, as well as their famous whisky!

    This is the premise behind Clans of Caledonia, the debut design by Juma Al-JouJou. The game was published in 2017 under the Karma Games imprint, created specifically for the occasion following a successful crowdfunding campaign on Kickstarter. The artwork is handled by the dependable Klemens Franz (Agricola, Le Havre, Orleans).

  • Review: Gaia Project

    In Gaia Project, the successor to the acclaimed Terra Mystica, each player controls one of fourteen distinct factions fighting to peacefully colonize the galaxy. Each faction has different environmental needs to survive on the seven different types of planets, and each faction is bound to its home planet. These needs have led the factions to master terraforming, as in order to grow and develop, they must terraform neighboring planets into their native environment, competing with other players. During the game, you will colonize new planets, upgrade mines to create better structures, and unite planets to form federations, all while needing to research and discover new technologies to improve your abilities.

    This is how Gaia Project is presented to us, designed by Jens Drögemüller and Helge Ostertag, the minds behind Terra Mystica, a game they have given a couple of twists to for the title at hand today. It was published in 2017 by Feuerland Spiele in a German edition and by Z-Man Games in its English version. The illustrations are once again handled by Dennis Lohausen (The Voyages of Marco Polo, Qin, Helios).

  • Review: Keyflower

    Keyflower takes place over the four seasons of a year. Players will compete to expand and improve their respective villages, facing different challenges, with every game being unique due to the mix of village tiles that varies from match to match. Players must stay alert to make the most of their available resources, transport and upgrade capabilities, skills, and workers.

    Keyflower comes to us designed by Sebastian Bleasdale (Black Fleet or On the Underground) and Richard Breese (Reef Encounter or Inhabit the Earth). The game was published in 2012 by HUCH! & friends/R&D Games. The artwork is handled by Juliet Breese (Keythedral or Aladdin’s Dragons), Jo Breese, and Gemma Tegelaers (Mai-Star or Massilia).

  • Review: Brass – Lancashire

    Welcome to 18th-century Lancashire. The world is on the brink of changing from something we could describe as almost medieval to what we now know as modern times. This shift will become known as the Industrial Revolution, although it will take historians a while to coin that term. Lancashire became the hub of the cotton industry during this period, driven by the inventiveness of Crompton, Arkwright, and Watt, among others. Steam power was paired with new machinery, cotton mills were erected, and coal mines plunged to greater depths to feed these energy-hungry contraptions. Moving coal required canals and later railways, and in this way, this virtuous cycle sparked one innovation after another. Brass recounts a slice of this history in board game form. Its name stems from a traditional Lancashire saying: “where there’s muck there’s brass,” meaning “where there is dirt, there is money.”

    This is the premise behind Brass: Lancashire, designed by the great British author Martin Wallace, whose résumé includes celebrated titles such as London, Princes of the Renaissance, Age of Steam, Tinners’ Trail, and A Study in Emerald. The game before us today was first published in English in 2007 by Warfrog Games, followed later by editions from White Goblin Games (in Dutch/French), Pegasus Spiele (in German under the title Kohle: Mit Volldampf zum Reichtum), and Eagle Games (again in English). Illustrations for the first edition were handled by Peter Dennis, Wallace’s go-to artist with collaborations on Age of Steam, A Few Acres of Snow, and Tinners’ Trail, whereas this new edition was illustrated by Lina Cossette, David Forest (both responsible for the look of games like Santorini and Charterstone), and Damien Mammoliti (The Witcher Adventure Game, Edge of Darkness).

  • Review: Kingdom Builder

    The goal of the game is to amass as many gold nuggets as possible while building your kingdom, which requires strategic decisions about where to place your settlements. The criteria for earning those coveted nuggets during final scoring will be defined by three Kingdom Builder cards.

    Straight to the point: this is Kingdom Builder, designed by the acclaimed Donald X. Vaccarino, creator of one of the milestone titles that revolutionized the modern gaming landscape: Dominion. It was published in 2011 by Queen Games, featuring artwork by Oliver Schlemmer, one of the publisher’s regular artists who also illustrated titles like Fresco, Escape: The Curse of the Temple, and the second edition of Wallenstein. This design was awarded the prestigious Spiel des Jahres in 2012.